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Gabby came out purple and limp. Doctors stabilised her in the neonatal intensive care unit and then began a battery of tests. Within days the Williamses knew their new baby had lost the genetic lottery. Her brain s frontal lobe was smooth, lacking the folds and grooves that allow neurons to pack in tightly. Her optic nerve, which runs between the eyes and the brain, was atrophied, which would probably leave her blind. She had two heart defects. Her tiny fists couldn t be pried open. She had a cleft palate and an abnormal swallowing reflex, which meant she had to be fed through a tube in her nose. They started trying to prepare us that she probably wouldn t come home with us, John says. Their family priest came by to baptise her. Ass to the mouth

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Keeping only the clothes that give me a spark of joy has allowed me to relinquish items that I've been keeping out of one kind of guilt or another —that I bought something and never really wore it, because someone else gave it to me, or because it's wasteful to get rid of something that's perfectly 'good.' Gay dad sex video fda gay.altcomlogistic.ru

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I love the soft feel of clothes that come out of the dryer. I also love the fresh smell of line dried clothes. What I do is hang the clothes to dry, then pop them in the dryer for about 10 minutes with a damp wash cloth/towel to soften them. This saves electricity also since I have an electric dryer.

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 Ageing, he thought, comes about because this developmental programme, this constant change, never turns off. From birth until puberty, change is crucial: we need it to grow and mature. After we ve matured, however, our adult bodies don t need change, but rather maintenance. If you ve built the perfect house, you would want to stop adding bricks at a certain point, Walker says. When you ve built a perfect body, you d want to stop screwing around with it. But that s not how evolution works. Because natural selection cannot influence traits that show up after we have passed on our genes, we never evolved a stop switch for development, Walker says. So we keep adding bricks to the house. At first this doesn t cause much damage a sagging roof here, a broken window there. But eventually the foundation can t sustain the additions, and the house topples. This, Walker says, is ageing.  Asian pornstar models

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Cheerleader hoes I agree with Tina. I would think that line drying vs. electric drying would not be enough to cause World War III on Jillee s very eye opening post. It s true that it saves a lot of money when you line dry clothing, but it is not always possible. Please think about things before you type/say them.

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A big advantage of making your own clothes is that you can choose from some amazing (and novelty) fabrics - including ones which you can use to pay homage to your favourite movie/tv program/actor etc - in fact you'll find kid's duvet covers are a great source of weird and wonderful fabrics! Amateur lesbian feet

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 You'll never have to hem and haw about whether something will be useful later, whether you should keep it because it's a 'good shirt' or was expensive or any of that! Note that 'sparking joy' applies perfectly well to items that aren't exactly thrilling but that serve us well. For instance, the cotton camisole that doesn't rise up and is just the right length — that sure sparks joy for me! Socks without holes spark a lot more joy than socks with holes. You get the picture.  Asian gf pic

The webbing clothes moth is the most common fabric moth. The adult is gold with reddish-golden hairs on the top of its head. A row of golden hairs fringes its wings, which have a span of about 1/2 inch. Because these moths are weak flyers that aren't attracted to lights, you'll usually find them close to the infested items, such as in a dark area of the closet. naked nurse sex

The ass parade Most stock quote data provided by BATS. Market indices are shown in real time, except for the DJIA, which is delayed by two minutes. All times are ET. Disclaimer . Morningstar: © 2015 Morningstar, Inc. All Rights Reserved. Factset: FactSet Research Systems Inc. 2015. All rights reserved. Chicago Mercantile Association: Certain market data is the property of Chicago Mercantile Exchange Inc. and its licensors. All rights reserved. Dow Jones: The Dow Jones branded indices are proprietary to and are calculated, distributed and marketed by DJI Opco, a subsidiary of S&P Dow Jones Indices LLC and have been licensed for use to S&P Opco, LLC and CNN. Standard & Poor's and S&P are registered trademarks of Standard & Poor’s Financial Services LLC and Dow Jones is a registered trademark of Dow Jones Trademark Holdings LLC. All content of the Dow Jones branded indices S&P Dow Jones Indices LLC 2015 and/or its affiliates.

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An early 20th century male nude by Guglielmo Plüschow, his typical set-dressing with patterned carpet and fabric making a fine backdrop to the timeless masculine beauty of his models.

An early 20th century male nude by Guglielmo Plüschow, his typical set-dressing with patterned carpet and fabric making a fine backdrop to the timeless masculine beauty of his models.

A lavishly-dressed set draped with carpets and fur provides a detailed backdrop for this male nude by Guglielmo Plüschow, around the turn of the last century.

A lavishly-dressed set draped with carpets and fur provides a detailed backdrop for this male nude by Guglielmo Plüschow, around the turn of the last century.

A postcard from the 1910s, published by the firm Galifi, and featuring a photograph by Wilhelm von Gloeden taken in the 1890s. The model on the right is Pascquale Stracuzzi, I regret I cannot recognise his companion from behind!

A postcard from the 1910s, published by the firm Galifi, and featuring a photograph by Wilhelm von Gloeden taken in the 1890s. The model on the right is Pascquale Stracuzzi, I regret I cannot recognise his companion from behind! 

Il Moro, once again displaying his truly admirable curves before the camera with an elegant tilt of his hip; it is easy indeed to see why he became such a favourite among models, why he graces so many scenes with his beauty and charismatic presence.

Il Moro, once again displaying his truly admirable curves before the camera with an elegant tilt of his hip; it is easy indeed to see why he became such a favourite among models, why he graces so many scenes with his beauty and charismatic presence.

vintagehandsomemen:
“  A man posing naked, with his back to the camera, standing on a rocky outcrop in a watery landscape. ca. 1900
”
I’ve been unable to find out a photographer’s name for this picture; both the style and the geology reminiscent of...

vintagehandsomemen:

A man posing naked, with his back to the camera, standing on a rocky outcrop in a watery landscape.  ca. 1900

I’ve been unable to find out a photographer’s name for this picture; both the style and the geology reminiscent of Henry Scott Tuke’s images of nude models of the rocky coast at Newporth, Cornwall, but no firm connection can be made.

Not the finest image quality, nor the most inspiring pose, but still rather a splendid sight to behold - one of Vincenzo Galdi’s wonderfully well-chosen male models from turn-of-the-century Rome.

Not the finest image quality, nor the most inspiring pose, but still rather a splendid sight to behold - one of Vincenzo Galdi’s wonderfully well-chosen male models from turn-of-the-century Rome. 

The ever-lovely Il Moro, Pancrazio Buccini, with his handsomely proportioned and elegant companion - what poise in the way he hollows his back! We’ve seen these two together here, and again here, and this model photographed alone, too. Perhaps one...

The ever-lovely Il Moro, Pancrazio Buccini, with his handsomely proportioned and elegant companion - what poise in the way he hollows his back! We’ve seen these two together here, and again here, and this model photographed alone, too. Perhaps one day we will discover his name.

A lovely long-limbed male model picks grapes in this 1898 photograph by Guglielmo Plüschow, his basket cast aside it’s quite clear that the task is merely an excuse to stretch his beautiful body out before the camera.

A lovely long-limbed male model picks grapes in this 1898 photograph by  Guglielmo Plüschow, his basket cast aside it’s quite clear that the task is merely an excuse to stretch his beautiful body out before the camera.

This photograph from the end of the 19th century struck me as instantly familiar, and soon I realised why - it is in fact the rear view of a strapping young fellow we have seen facing the camera.

This photograph from the end of the 19th century struck me as instantly familiar, and soon I realised why - it is in fact the rear view of a strapping young fellow we have seen facing the camera.

vintagehandsomemen:
“  Photograph of Tom White on Newporth Beach for a figure in ‘Under the Western Sun’ c. 1917.
”
Some further photographs of Tom White from this seaside modelling session can be seen here.

vintagehandsomemen:

Photograph of Tom White on Newporth Beach for a figure in ‘Under the Western Sun’ c. 1917.

Some further photographs of Tom White from this seaside modelling session can be seen here.

Photographed by Guglielmo Plüschow around the turn of the last century, a voluptuous model with particularly curvaceous thighs, and a beautiful bum - displayed to fine advantage as he turns his back to us and surveys the landcape beyond the confines...

Photographed by Guglielmo Plüschow around the turn of the last century, a voluptuous model with particularly curvaceous thighs, and a beautiful bum - displayed to fine advantage as he turns his back to us and surveys the landcape beyond the confines of Plüschow’s terrace.

An extremely muscular model strikes a powerful pose for Wilhelm von Gloeden in one of his later pictures from the early years of the 20th century - we have seen this man before in the magnificent and memorable snake-charmer photograph.

An extremely muscular model strikes a powerful pose for Wilhelm von Gloeden in one of his later pictures from the early years of the 20th century - we have seen this man before in the magnificent and memorable snake-charmer photograph.

An infinitely improved copy of a photograph I’ve shared here before, this time we may see the beautiful Vincenzo Galdi in all his glory, a much-admired model blessed with flawless skin and quite delightful curves! Also revealed here, a fine painting...

An infinitely improved copy of a photograph I’ve shared here before, this time we may see the beautiful Vincenzo Galdi in all his glory, a much-admired model blessed with flawless skin and quite delightful curves! Also revealed here, a fine painting upon the wall; one of the many treasures of the ancient ruins of Pompeii.

Edoardo before a mock door on an ancient Roman grave, in the impressive ruins of Pompeii. We can see another of Plüschow’s shots in the same location here.

Edoardo before a mock door on an ancient Roman grave, in the impressive ruins of Pompeii. We can see another of Plüschow’s shots in the same location here.

A good-looking and graceful Sicilian model poses in the brilliant Mediterranean light near von Gloeden’s villa in Taormina, the rough scrubby plants and knarled wood providing a natural contrast to his smooth and flawless skin.

A good-looking and graceful Sicilian model poses in the brilliant Mediterranean light near von Gloeden’s villa in Taormina, the rough scrubby plants and knarled wood providing a natural contrast to his smooth and flawless skin.